I know it's a losing battle, keeping the place in some kind of tidy shape, and it's certainly not all the fault of my kids. The books, lord the books. But sometimes I am just in a GET IT ALL OUT OF HERE mood, and such is the mood that descended tonight.
I haven't had the time to read hardly anything lately, so as we picked up books and shelved them or put them in the Back to the Library bag, I got Milo (11) and Ezra (nearly 10) to talk about the books they've read.
Ezra: Battle Bunny is the result of a ten year old who just watched a whole lot of apocalypse movies making his mark on a cute little Birthday Bunny tale. It's terrifically funny - there's a picture on Battle Bunny's wall that shows a bunny mama leaning over a bunny baby and the ten-year-old added the words "Drink your poison."
NB: The overstimulated ten-year-olds actually responsible for Battle Bunny are Jon Scieszka and Mac Barnett, with illustrations by Matthew Myers...
Unbored is a pretty great book - it has about a million unexpected and funky things for a kid to do: DIY Fiction! Farting Games! Make a Cigar Box Guitar! and it sits on our shelf until somebody pulls it out and has a little fun with it and then puts it back where it'll sit for another 6 months. That book makes a great gift (although if there's a second edition, I'd recommend the illustrations to be a little less hipster/retro. If it were me, I'd get Stephen Gilpin to do 'em. And I might spring for color.).
Anyway, tonight Bob found this page of questions from the 1922 Stanford Achievement Test, and just for fun started reading them out loud. I am always pretty amazed at the random stuff my kids know, and tonight I just had to ask - how do you know that?
So here's a sample of the questions from page 202 of Unbored, and how my kids knew the answers. VERRRY interesting, and a huge validation of leisure reading.
I am a lucky woman. By almost any metric, that's me, Lady Lucky. I can walk under ladders.
One of the ways in which I am lucky is that there are about five authors out there whose work is just exactly what I want to read. I can go to those authors and always always be surprised and moved. Gibson. Liz Jensen. Nick Harkaway. Charlie Higson. Ian Fleming (but that's more of a sick obsession). And by "always always" I mean - no duds. No books that make me go "ehhh." Neal Stephenson for example. Love everything he's written either side of the Baroque Trilogy, but those three books made my eyes roll back into my head, and so he doesn't make this list.
What I'm getting at - obviously - is that Adam Rex does. I don't know what is similar in our backgrounds or genetics or whatever, but his imagination travels paths that seem enticing and familiar to me - as if they are paths that I glimpsed once from a passing car and wished I had the time to detour into. His humor makes me laugh out loud on trains and in bars.
Which is why I can't review his latest book, Unlucky Charms, the second in The Cold Cereal Saga. This author speaks so clearly to me that I can't tell how he sounds to other people. I can't be objective while I'm giggling out my nose. Luckily, I have a couple of clear-eyed readers in my house who can be relied upon to give you the what when I can't. Here's Milo:
Now, I admit I read the ARC of Unlucky Charms as soon as I snagged it at ALA Midwinter, and I admit I was going to pass it to Milo as soon as I got home, and I further admit than when this hardcover came in the mail - pretty much before I got home, thank you someone at Harper! - Milo grabbed at it as if he were a magnet and it was made of paperclips, but let me tell you, Milo is not a man who will allow preconceptions to influence his appreciation of a book.
So when he tells you it is funny and brave and awesome - you better believe it.
Available Feb 5.
From Unlucky Charms by Adam Rex - Marcos Horchata reporting
PS: Good lord I have written yet ANOTHER review of something involving Adam Rex in which I forgot to mention the art! How do I keep doing that? Adam Rex is supernaturally talented as an artist. His illustrations are the kind that kids pore over, looking for clues, soaking up the visual realization of scenes they have already mentally assembled from the author's words.
They exhibit charm, draftsmanship, and a particular genius for realistic expression, facilitated I believe by his habit of sculpting little heads and using them as models. I like to think he mounts those heads on tiny plaques and hangs them on the wall when he's finished - a miniature hall of horrors. Maybe he talks to them, they're like a Greek chorus when he's stuck on a drawing. "Make him fatter," grunts Frankenstein. "With bigger eyebrows!" yells Grandpa Ned. "What is that sweater about?" snipes Barnett.
This art, by the way, is not something I am worried I'm biased about. I know art, and I'll borrow a technical term from art criticism here and call it GOOD. It's GOOD ART.
Buy this book, buy all his previous books. Support him so that he can keep feeding my habit, and I swear you will thank me for it.
Secret agent Rip Haywire is half Mark Trail, half The Spirit, and half Bruce Campbell. His canine sidekick TNT is half Lassie, half Mr. Peabody, and half the dog from Family Guy. Ooh, this is fun! Rip's girlfriend/archenemy Cobra? Let's see... half Miss Scarlet, half Agent 99, and half Natasha Fatale. And if those character descriptions add up to 150%, well, that's just how far over-the-top Dan Thompson, creator of the globe-trotting rock-em-sock-em noir parody graphic novelRip Haywire and the Curse of Tangaroa! plays it.
Come for the freaky pictures, stay for the entertaining text. Boy, if I could give aspiring nonfiction writers one piece of advice, it would be - try to make a book that I can recommend to kids using that sentence. Although I guess it doesn't work for like, presidential biographies. Freaky pictures of presidents are rarely appropriate for kids.
This is going to be a great go-to for those middle grade boys who think they like nothing but Diary of a Wimpy Kid. The MAD Magazine logo on the cover is going to help. It's formatted like a blog, including those little mood icons from - what was that? LiveJournal? I'm forgetting already. Even the word "blog" sounds dated. Even to me, who writes two.
Diary-like entries detailing Tad's aspirations and humiliations are interspersed with flat-out observational comedy: Do you think flightless birds think they're going to fly one day, and then realize that's never going to happen (paraphrase)? The comedy made me laugh out loud, and then share with the class.
Kate Milford, Jonathan Auxier, and Morgan Keyes signing at the Baltimore Book Festival. Obscured: Shannon Hale and Sheila Turnage. All-star!
Based on a TOTALLY scientific survey of current middle grade fiction, i.e., attending the back-to-back National Book Festival (grueling) and the Baltimore Book Festival (delightful!), talking to a jillion kids and their parents, a few booksellers, and a dozen or so authors, I have updated my To Read list in the following ways, and for the following specific reasons:
Pink Me can't resist a funny man. It's true - you can show me your muscular prose, your scenes of wooing and swooning, but when a writer rips out something that makes me laugh out loud, well then, you can cancel my appointments for the next few days.
That is how, even though I have always foresworn the Blog Tour thing, I am a stop on Ellis Weiner's Blog Tour. Ellis Weiner is funny. His first book for children, The Templeton Twins Have an Idea: Book One, has made the rounds in my house (I read it, both boys have, it tops one of the stacks on our coffee table in the current banner photo, and our copy currently resides on my husband's bedside shelf alongside multiple back issues of The Economist (I assume for bedtime readalouds to the kids but after all I don't know what happens around here when I have second shift at the library)), and made each of us giggle. Why haven't I reviewed it? See about a dozen previous posts subtitled OH WOE I AM OVERCOMMITTED and GAH! LIFE!
Also, Ellis Weiner is from Baltimore, and my friend Eerily Similar Paula and I have been nagging the crap out of him to come home and visit our libraries and schools. So when I had the chance to solicit a guest post, I asked him to reminisce about growing up here.
Here's your latest list of great graphic novels for kids, courtesy of the legwork I did prior to a recent appearance on WYPR's Maryland Morning. This time, host Tom Hall and I were joined by author and librarian Snow Wildsmith (my idea!) for a talk about which graphic novels, how graphic novels, and, most importantly, why graphic novels for kids. Snow and I get all smarty-sounding at a couple of points there, I totally encourage you to listen:
I swear these Origami Yoda books just keep getting better. The current crisis at Ralph McQuarrie Middle School is... how will everyone get by without the guidance of Origami Yoda, now that Dwight has transferred to fancy Tippett Academy? And by the way, what is going ON with Dwight? Reports are filtering in that he is no longer digging holes and sitting in them, speaks in complete sentences, and, strangest of all, has stopped bringing Origami Yoda to school!
While The Strange Case of Origami Yoda was about accepting and appreciating Dwight and his weirdness, and Darth Paper Strikes Back was about accepting - while not exactly appreciating - Harvey's oblivious jerkiness, each book also has seen the kids gradually gaining consciousness of how their actions affect other people. In other words, Tommy, Sara, Kellen, and their friends are developing - naturally, spasmodically, at different paces (the girls are quicker) - the emotional intelligence of teens. And listen, if you think teens have no emotional intelligence, try spending time with a bunch of 5th graders. Secret of the Fortune Wookie continues this progress, in a way that I can't reveal without spoiling the Fortune Wookiee's actual Secret.
All this emotional growth is delivered in a way that is subtle as hell, though, and conveyed with so much humor that no child will put down this book feeling like he has been Shown How To Be A Better Person.
BONUS: Han Foldo THING THAT MADE ME SNORT: Mr. Good Clean Fun's puppet sidekick Soapy the Monkey SEQUEL I CAN'T WAIT FOR: At the end of Fortune Wookiee, we get some big news about big changes afoot at McQuarrie Middle, and I am going to LOVE seeing Tommy, Kellen, Sara, Rhondella, Harvey, Quavondo, Cassie, Remi, Amy, Tater Tot, Lance, Dwight, and even stuck-up Brianna band together to take down the Evil Teaching To the Test Curriculum. I also can't wait to see the Star Wars puns Tom Angleberger will come up with for standardized testing.
I have been in a weird mood all day. I just finished reading a really cool and funny adult sci-fi novel (Year Zero by Rob Reid), plus I'm by myself in the house, my whole entire family being out of town, and I'm working the evening shift. So I feel a little unreal.
And then the first picture book I picked up at work today features a pocket-size walrus who emerges from an oversized walnut. Yeah. I should just start drinking right away, don't you think?
It's not all that often somebody tries to write a sequel to a classic like this. It's a really big risk - tough to avoid looking like you're just totally crassly trying to cash in on the love and affection for the original book... or else you just look like you're writing fanfic. I'm sure there are any number of "Arwen and Aragorn's Honeymoon" manuscripts languishing in the depths of your laptop's hard drive. And rightly so. Do not print that thing out. Ever.
The mountain range of books on our coffee table is a constantly shifting pile of bait for my boys. I bring books home from the library every day that I work - sometimes they place requests, but more often I just snag books that I think they'll like or that I am interested in looking at for this blog. The "leave it out casually and they will pick it up" strategy has been praised by many parents, and even endorsed by Judy Blume, and I can vouch for it as well.
Not so say there haven't been some hiccups, as when I found ten-year-old Milo reading Railsea by China Miéville, which I had pretty much brought home for myself. He is also a big David Macinnis Gill fan now, thanks to this practice.
Grace is feeling kind of out of place at her new high school in San Francisco. Newly arrived from a small town, she is hoping to find a friend.
Tough Gretchen has no need or desire for friends.
And snooty rich girl Greer doesn't have friends so much as she has acolytes, minions, and social rivals.
What do these three have in common? Besides first names that start with G? Well, they were all adopted, for one thing... and since this is a teen novel, you might as well guess: they're long-lost triplets. Not just any triplets, either. Descendants of a mythological monster slayer, they have a duty and abilities and there's a prophecy and all of a sudden Grace's GPA is in danger and Greer's Stella McCartney top is going to get mussed.
Part Percy Jackson, part Beverly Hills 90210 - with an acknowledged debt to Buffy the Vampire Slayer (Grace has moved to San Francisco from a small town called Orangevale, where she attended a two-story school with stucco-covered walls), this is good fun, marred somewhat by writing that hammers home every expressive nuance ("'What are you doing here?' she demands, clearly unhappy to see me.")
Boy characters are amusingly decorative - entering the action with portentious fanfare, all eyelashes and biceps, only to disappear for long stretches with nary a ripple, reappearing - or not - several chapters later. Although they may have some role in later books, in Sweet Venom they appear to be nothing more than gratuitous romantic interest. A not-too-serious paranormal action novel along the lines of the Maggie Quinn, Girl vs. Evil books.
Adapted from a review originally published in VOYA.
Ah, spring! My neighborhood is foaming over with dogwood and azalea, sketched pink scribbles of redbud branches and nodding lilac. Driving the kids to school is like a trip through some wretched YA fairy forest. Except it's also roadkill season, so the smashed rats and opossums on the side of the road give it a little gory, edgy aspect. Again, much like a lot of recent YA. Sigh.
I am totally, happily mired in reading for the YALSA committee I'm on, Popular Paperbacks for Young Adults (go nominate your favorite! do it now! I'll wait!), and I can't in all conscience post reviews of books we're considering for the list - but I can take a break from teenage immigrants and rock stars from time to time in order to cleanse my palate with a new book.
Do you love Marcia Williams? I love Marcia Williams. Marcia Williams is a British illustrator and author. She writes large-format, intensively-illustrated adaptations of classical literature for kids.
Let me tell you how great this is: lots of little kids get into tales of adventure, and then their parents think to themselves, "Oh, I'll bet he would love Robin Hood!" Or King Arthur, or the story of Troy, etc. And then they ask the librarian - "I want him to read King Arthur." Whereupon the librarian is like, "Errr... you know that adultery and patricide play a big part in that story, right? Is he ready for The Sword in the Stone?"
FIFTY ARTISTS FIFTY! It's like a Ziegfeld chorus line up in this fine large-format comic anthology, except hairier. And less able to walk and sing at the same time. Probably really bad at doing anything in unison.
From "Hush Little Baby" by Mo Oh. I love her line and her delicate colors.
Fifty of your favorite comics artists have taken on 50 old-fashioned nursery rhymes, resulting in an anthology that is funny, strange, sweet, and surprising. Some of the artists, like Nick Bruel (Bad Kitty) and Marc Rosenthal (Phooey!), are familiar names in children’s publishing; others, like the talented Mo Oh (Lily Renee, Escape Artist, which is not a good example of her sweet and funny style) and Jen Wang (Koko Be Good), are relative newcomers.
The Rowan Tree Inn has sat placidly under its thatched roof at the center of a picturesque forest village for centuries. "Has sat." That hits me wrong. I don't think there's anything incorrect about it, but... I know I don't like it. "Has satten" sounds better, but "satten" is not even a word. All right, I'm going to leave it. This book's not worth fussing over.
When fourteen-year-old Maya moves into the Inn with her parents and older brother, she experiences that same kind of unease. Disturbing visions, eviscerated foxes, and sinister townspeople seem to conspire with scary nighttime noises to keep her thoroughly freaked out. Is she psychic? Is she imagining things?
Art and history intertwine in the story of Claribel and Etta Cone, two sisters from Baltimore whose intellectual openness and love of art–not to mention tidy personal fortunes–brought them into contact with many pioneering minds of the early 20th century. More than mere art patrons, the sisters forged decades-long friendships with Gertrude Stein and her brother Leo, Pablo Picasso, and especially Henri Matisse.
The collection of art that they amassed, which includes many masterpieces of Postimpressionism as well as works from Asia and Africa (now at the Baltimore Museum of Art), liberally illustrates the gracefully designed pages of this book. So too do the author’s colorful Matisse-inspired illustrations, most of which are based on archival photographs. The book is a pleasure not only to behold but to hold, too - prestige paper and meticulous attention to color honor the author, her subjects, and the art.
An art educator in Baltimore, Susan Fillion has obviously spent untold hours with the Cone Collection and with the voluminous correspondence and other papers of the sisters. She frequently describes a scene or situation from Claribel’s or Etta’s perspective, an effective and engaging device. In the hands of a writer less intimate with the sisters, this might feel false or presumptive, but Fillion keeps it simple and convincing. A beautiful and accessible gateway to a study of Postimpressionism, and a moving portrait of two extraordinary women.
Adapted from a review that originally appeared in School Library Journal.
Today's Nonfiction Monday Round-up is at Emu's Debuts.
The Ramayana is the ancient epic story of the exiled prince Rama and his beautiful wife, Sita. When Sita is kidnapped by a love-struck demon king, her husband’s efforts to rescue her result in a war that eventually involves not only demons and mortals, but also gods, monsters, and even animals. This story has been told and retold, painted, performed and translated in every medium imaginable.
Providing reader advisory services to movie and TV stars may sound like it's all glamor and glitz - private screenings at Matt Damon's place, long walks with Taylor Kitsch, tequila shots with Cameron Diaz - but in reality, it's hard work. It's a year-round, always-on-call job that requires constant monitoring of tons of information sources. You should see my office - a dozen laptops and giant flatscreens feeding me 24-hour updates from Cynopsis Kids, Early Word, Rama's Screen, and the Hollywood Reporter.
But that's what it takes. What would happen if, out of the blue, Hailee Steinfeld chased you down in a hallway at NBC panting, "I have to read a science fiction novel for English but I hate science fiction!" It wouldn't do to flail around until you lamely suggest she reads Virus on Orbis 1. Nooo. That kid, she needs more action. Not so much character development. Black Hole Sun is the book for her. She'd be perfect as the voice of the AI that is the main character's advisor, conscience and best friend. Or she could be the kick-ass love interest Vienne.
Tune in to my wave as I provide book advice to the attendees of the 84th Annual Academy Awards from my perch by the bar at the Governor's Ball...
What is happening to 17-year-old Briony Larkin and the miserable fenside village of Swampsea? Briony is beautiful and intelligent, neglected by her father after the death of her beloved stepmother. Possessed of a supernatural gift that allows her to see and converse with the nature spirits that surround her village, before she died, her stepmother commanded Briony to avoid the swamp where these spirits live lest something terrible happen.
To make an already joyless life considerably worse, Briony is responsible for her difficult twin sister Rose, who, due to a blow to the head when the girls were seven, exhibits symptoms and behaviors similar to those associated with autism spectrum disorder.
Then a handsome boy comes to the village, and with him progress: the swamp is to be drained and Swampsea to become the terminus of a London rail line. As Swampsea struggles to - belately - join the twentieth century, Briony struggles with new roles that she both fears and desires. I'm always looking for neat coming-of-age metaphors, and the advent of the modern age is a good one. Will Briony allow herself to fall in love? Will she learn to control her power? Will she figure out the deceptions that have been perpetrated upon her, leaving her full of frustrated, self-abasing rage?
Sometimes it is hard for me to respond to a book as a reviewer. Some books hook me just the same way a book would have hooked me when I was ten years old, and I am in, along for the ride, imagining myself sleeping in Anne Boleyn's bed at the Met, or confronting an evil horseman in a snowy lane in Wales.
I think that's why I do this.
And do you know how kids recommend books to each other? Have you heard them try? It's no use trying to teach them to sketch the main character and then set up the situation - they're going to either tell the entire plot in minute detail or they're going to reproduce a run of dialogue, bafflingly out of context and unintelligible due to their uncontrollable excitement.
Possibly they're going to try to relate the mood of the book to an experience they've had - my friend Rabbit, who is thirteen, does this all the time, and I love it. I can never follow his parallels: "You know how like you could be in the desert, but it's cold, except it doesn't look like it could be cold? This book is exactly like that," but I could listen to him all day.
The Akkadians of Central Iraq, hungry for new lands to conquer, have set sail for the great cities of Sind, in what is now southern Pakistan. Prince Meluha and his teacher Chandrayaan are out hunting when the invaders launch their assault upon Meluha’s city, and so it becomes the handsome (and quite often shirtless - hell, everyone's shirtless in this thing!) prince’s responsibility to travel to the other Indus Valley cities and rally their rulers to stand together against the hostile armies of Akkadia.
If success could be attained via charm and personality alone, Jarrett Krosoczka would have had this fame and fortune thing sewn up a long time ago. I'm admitting this right here - I love the guy. His books are a joy, and he's a born showman in person: at panel discussions, he sings, he draws, he engages the crowd and sometimes wears costumes. In the strange, airless space that is the online author visit or virtual storytime, he is responsive and enthusiastic and introduces his dog.
That's Jarrett in his red pleather suit at the Guys Read: Thriller panel at BEA last year, seated between Jack Gantos and Jon Scieszka (who is not wearing a wig) (for once).
But as important as enthusiasm and hard work are, they do not automatically translate to stardom in the demanding, puppy-eat-puppy world of children's lit. Jarrett's newest publication, From Monkey Boy to Lunch Lady: The Sketchbooks of Jarrett J. Krosoczka, tracks the ups and downs of his career as an author/illustrator and the sometimes crooked path along which an idea travels on its way to becoming a book.
It's Election Day here in Maryland - the midterm general election, not the primary, so there's not much hoopla. Oh, Maryland. Stay sweet. Anyway, the children are off school, and it's Tuesday, my day off, and it's a beautiful fall day, so I thought I'd catch up on what my boys have been reading.
They've both reached the point that they are reading for fun independently. And kind of a lot. It's great, but I have to say, a little scary. I bring stuff home from the library I think they'll like, and they read that stack in a weekend, and then start eyeing the review copies I get in the mail.
This is going to sound like a back-door brag, but I am legitimately worried that they're a little too erudite for their own good. Zhou, who is in grade 3, complained at a class book discussion a couple weeks ago that he thought the metaphor in the title of Jerry Spinelli's memoir Knots in My Yo-Yo String was insufficiently reiterated in the text. In almost those words. Right? That's an oy vey moment, for sure.
Kids who like the Little Lit titles (It Was a Dark and Silly Night..., Folklore and Fairy Tale Funnies) will cackle over this collection of familiar tales given an irreverent twist. Rapunzel thinks the prince's request to 'let down her hair' is 'really random'. Gepetto injures his hand trying to spank his robot son after the Blue Fairy grants the wish that makes Pinocchio a real boy. Red Riding Hood's Grandma runs a martial arts academy. Cinderella rejects the lovely blue ballgown provided by her fairy godmother - she was thinking more "Anne Hathaway at the Oscars".
I cannot get behind this book. I wanted to, I did - oh, and based on recommendations by other people, I have been recommending it to teens and tweens who like action for a good year now - but I think it is poor science fiction.
Thomas is a teenage boy who wakes up one morning in a windowless metal room, unable to remember much more than his name. When the room opens up, he finds himself in a community of several dozen boys, all of whom arrived in what they call the Glade just as he did, devoid of memory. The Glade is a sizeable square area surrounded by tall stone walls. Behind the walls, on all sides, is a gigantic maze. In the two years since the first boys were delivered to the Glade, they have formed an extremely functional, organized, (mostly) self-sustaining society, and have set themselves the task of solving the giant maze - looking for a way out.
At the SLJ Leadership Summit in Alexandria a few weeks ago, I saw a demo of the Pat the Bunny app again. Have you seen the trailer for that app? You watch. I'll wait.
That bunny is a total evangelist, right? That app actually does things that the book can't do, and that is a book that does things that most books can't do. Pat the Bunny is the app that turns arms-crossed, grumbly librarians into wide-eyed murmury librarians. Bobo Explores Light(reviewed earlier) does that too.
"They're more of a what than a who. It won't be in a form you'll recognise, and there is something other about X that defies easy explanation. It's more of a sense than a person. A shroud, if you like, that confuses their true form. It also smells of unwashed socks and peanut butter. You'll be fine."
Tiger looked at the note, then at the Quarkbeast, then at where the moose had been but suddenly wasn't, then back at me.
"This is a test, isn't it?"
Yes, little children, this is a test. Are you going to grow up to be the kind of person who not only reads all the books of Hitchhiker's Guide to the Galaxy but who also seeks out the radio recordings? Will the Discworld become a second home to you? If you cut yourself shaving, will you always claim that "it's just a flesh wound!" in a defensive tone and a British accent?
The scientist in Simon wished there was time to study the animals he was seeing and catalogue all the quirks of nature and environment that had driven their strange evolution. A herd of spotted marsupials, almost impossible to see, moved in shifting camouflage as they chased the shadows of clouds. A small, horselike animal with gigantic ears that swiveled like saucers was the first to hear him coming, and when it took off across the plains its drumming hooves alerted dozens of lumbering, slow-moving tortoises who vanished into their shells, leaving a sudden rock bed. Mice-like rodents leaped dozens of feet into a stand of cactus, fleeing from birds that veered away from the unforgiving spikes at the last second. Simon watched in fascination as these dramas unfolded around him.
We went to Costa Rica last summer, and now I think I understand where Nadia Aguiar's prose comes from. The ruby-red birds and flowers, the emerald landscapes, the fruit that is sweet but complex. The dark jungle, the bright hillsides. Roseate spoonbills and strawberry frogs. Honest-to-god toucans. It's all astonishing, but it's real.
The miraculous island of Tamarind, where siblings Simon, Maya and Penny washed up after a shipwreck in The Lost Island of Tamarind, reads like that. Deep in the Bermuda Triangle, its startling beauty is murky or brilliant, misted with cloud or sunlit, lush, decadent, fragile... and likely to twist into violence at any moment.
I love my friends, and when I think of the friends I have, I realize what a fortunate person I am.
First: A few years ago, I got to chatting with a brilliant, funny author at the annual KidLitCon - Laurel Snyder. It turned out that in addition to sharing certain opinions, vices, and an inappropriate sense of humor, we share weird geographic coincidences: she grew up a couple blocks from where I live now, and in high school she moved to the neighborhood where I grew up. Her friends were the younger siblings of my friends. When she lived in freakin' Iowa, her downstairs neighbor was a woman I've been friends with since birth. We might actually be the same person.
So I can't review her book.
Next: Also a few years ago, we got a new librarian at work. Yes I know that's a weird construction, but that's how we say it. We got a new librarian. She had the same name as me! Then we found out that we both have a kid the same age, a kid who loved to read and went to a Baltimore City charter school; and we also discovered that we both read a lot of teen fiction, and have almost the same taste! In books, accessories, food, you name it. We might actually be the same person. On Pink Me, I call her Eerily Similar Paula, and she's helped me out before.
Today, she and her Eerily Similar Kid, Thespian Girl, have contributed a mother-daughter review of Laurel's new book, Bigger than a Bread Box.
ESP: How did you get your hands on an advance copy of Bigger Than a Bread Box, Thespian Girl? Okay, so me and Daddy were walking around at the ALA conference, and the lady at Random House said “Oh honey, I have a few books that you might like!” and I picked one up and started reading the back of it. Meanwhile, Daddy poked me in the ribcage and said “You have to get this book. Look at the dedication. It’s for Baltimore.” I said okay and I took it even though I didn’t really like the cover. I thought it might be a murder mystery or something about wizards.
ESP: What made you read it anyway? Well, it was on my shelf and you told me I needed to read the next day and not watch any “stupid TV shows”. I read the first page and I was like “huh.” Then I read the next page, and the next page and the next page….”
ESP: I remember you read a part out loud to me. You said “this author really is from Baltimore. I can tell because of the detail when she describes Rebecca’s row house.”
There weren’t doors or walls between the downstairs rooms of our row house. The flooring just changed colors every ten feet or so. You knew you were out of the kitchen/dining room when the fake brick linoleum stopped and the pale blue carpet started. Then you were out of the living room and into the front room when the blue carpet changed to brown. That was like a lot of row houses were in Baltimore, like tunnels.
ESP: Kind of like our house? Yes, quite!
ESP: So that made you keep reading? What’s it really about? Yes. And the book got better and better as it went on. I read it mostly in one day while you were at work. It’s about a twelve year-old girl named Rebecca. She lives in Baltimore with her mom and dad and her toddler brother Lew. Her mom and dad have been arguing a lot, and then her mom decides it’s time to “take a break.” She drives Rebecca and Lew all the way to Atlanta, Georgia to stay with their grandmother. She doesn’t bother to tell Rebecca that they’ll be staying for a long time and that she’ll have to go to school there too. During the first night her and her mom get into an argument. Rebecca misses her dad. She gets mad and runs upstairs to the attic, where she discovers a collection of bread boxes. She only knows that’s what they are because they say “bread” on them. While she’s poking around up there, she says she wishes she had a book. She starts opening the bread boxes. They’re all empty except for the last one, which, coincidentally, has an Agatha Christie book in it. She brings the box down to her room.
ESP: Does she know right away that it’s magic? No. She figures it out that night when she’s feeling homesick. She’s crying about all the things she misses about Baltimore. She says “I wish there were gulls” into her pillow, and then she hears a skreeeee noise coming from the breadbox. There are two seagulls inside!
ESP: So what does she wish for next? Is it a unicorn? No, and I don’t want to ruin the story. She can only get things that are real. And that fit inside the bread box.
ESP: So it’s a book about a magic bread box? Is that how you would describe it? Not just about a magic bread box. It’s about school drama, family, and how unfair it is when adults make decisions for you that you don’t like.
ESP: How did the book make you feel when you were reading it? I was excited and on edge! I couldn’t guess what was going to happen at all. She (Laurel Snyder) did a great job with the entire story. There wasn’t too much of anything or too little of anything. It was a perfect book. The ending is a good set up for a sequel, hint-hint!
Paula is a good friend and I want to thank her and Thespian Girl thoroughly for this thoughtful take on a terrific book. My only regret is that when either of them starts writing books herself, I won't be able to review them. Maybe I'll get Laurel to do it!
Here's some more help, from 12-year-old kid named Lily, who made this beautiful book trailer for Bigger than a Bread Box:
I swear, tween girls should be running this country. They are so smart!
I love it when an author slaps a reference to another book into his or her own, especially in kids' or YA books. It's a sly way of suggesting to the reader, "If you are enjoying my book, here's what I like - you should try it!" Rebecca Stead not only drew inspiration from A Wrinkle in Time when she wrote When You Reach Me, but she wove the older book firmly into the narrative. I don't know anybody who finished that book and didn't at least consider re-reading Madeleine L'Engle's classic. If there's bookshelf in a picture book, I always squint to see what titles the illustrator has drawn.
Charlie Higson wrote a bookworm character into The Dead, and that kid's finest moment was when he defended himself from a mindless cannibal attacker using his copy of The Gormenghast Trilogy as a weapon. That's a great little glimpse into Charlie Higson's head.
The book that Tom Angleberger slides into Darth Paper Strikes Back is Robot Dreams, Sara Varon's nearly wordless graphic novel about a dog and a robot who are pals. That book is full of emotion without being mushy. It says a great deal about loyalty and love without embarrassing the reader.
I made it to page 12 of Dead End in Norvelt before I was giggling so loudly that my family made me stop and read aloud to them. You may not get that far.
Jack Gantos writes two kinds of books: good books and great books. (Also Love Curse of the Rumbaughs, which might be either, but which is so spectacularly weird that it's hard to tell.) Dead End in Norvelt is one of the great ones, for sure. It concerns an eleven-year-old boy named Jack Gantos who lives in a New Deal planned community in Western PA in 1962. He is a kid who likes "history or real-life adventure books, mostly," a mostly-good boy with frequent nosebleeds, an active imagination, and a knack for getting blamed for stuff that is not entirely his fault.
The dour child dressed like a vaudeville tap dancer does not belong in the muddy woods.
In her tiara and satin flapper dress, she frowns at you accusingly before a scabby-looking canvas backdrop. Just about the only consolation for this displeased moppet is that her shiny Mary Janes do not actually have to touch the scattered dead leaves and packed dirt beneath her feet.
She is, of course, merely a figure in an amateurishly faked photograph.
(Click each thumbnail to see this photo assemble.)
Adult Swim at our pool is fifteen minutes, and I swear, that can be the longest fifteen minutes ever in the history of time. Longer than the fifteen minutes it took you to figure out the new remote. Longer than the fifteen minutes it took Jane Austen to describe who rode in which carriage on that crucial twenty-minute journey to the ha-ha. Way longer than the fifteen minutes you had to stand in line at the DMV, because at least then you could fantasize different options for blowing the building up.
NO you can't have more money for the snack bar.
NO you can't go to the baby pool.
NO you can't play Angry Birds on my phone with your wet hands.
Who likes saying no all the time? Not me. Far better to give the kid a seat in the shade, a cold water bottle, and a just-for-fun book to read. I asked all the kids who had assembled for my younger son's birthday party to grab a book and cram onto the couch for this month's Pink Me banner. Here, amid a long list of entertaining summertime reads, are the books that caught their eye:
I am a classic judge-a-book-by-its-cover-er, and it's been burning me lately. I picked up this one grownup book because it had a woman in a print dress holding a giant handgun on the cover, and I figured it'd be like that funny movie where Sissy Spacek shoots her husband. I picked up Now Is the Time for Running because it has a kid with a soccer ball on the cover, and I don't read enough sports novels. Holy hell, is that book not a sports novel.
I did not pick up Small Persons With Wings by Ellen Booraem for kind of a long time, because it has a girl's cute feet standing pigeon-toed on the cover, and that middle-grade faux awkwardness is something that sets my teeth on edge.
Librarian Nancy Pearl, author of Book Lust, NPR personality, action figure and role model, once told me that I don't have to read the books that everyone is going to read anyway, unless I want to. We were talking about Twilight at the time, and it was a big relief to be let off the hook on that one.
Today's big book that it appears everyone is going to read is Divergentby 22-year-old Veronica Roth. Billed as "the next Hunger Games," it has been passed from hand to hand by aficionados of YA sci-fi action fiction with genuine fervor.
So I brought it home, but, as often happens with exciting-looking books, it got snagged off the coffee table by my man Milo* while I was busy reading something else. He read it in a day, which tells me something already, so I figured I'd get him to booktalk it to me, see if it was something I wanted to read.
The first book in the Guys Read Library, Guys Read: Funny Business, is one of my favorite shortcuts when I'm at work in the children's section. When I see Mom hauling her cranky middle grade boy over to the shelves, I will grab a copy of Funny Business, crack it open to the Christopher Paul Curtis story or to Jack Gantos's The Bloody Souvenir, and start to read. When I get to the part about the blood poisoning, that's when our young man usually stops farting around and looks at me.
I hand him the book, and say, "When you come back - if you come back - come find me and I'll give you something else disgusting to read." Mom looks at me and can't decide whether she's repulsed or grateful.
In all the brouhaha over last week's Wall Street Journal article about the apparent excess of darkness in young adult literature, I didn't see a lot of people admitting the fact that some kids - and some adults - just like to read about dreadful stuff. The sweetest looking old lady in the library will come to me inquiring about Chelsea Cain's next book. The mom with a toddler on one hip and a five-year-old trailing behind is on a Jack the Ripper kick. The lacrosse goalie in her polo shirt and bouncy ponytail is looking for "something like Isaac's Storm."
Serial killers, natural disasters, industrial accidents - I should do a display or something: "Secretly Freaky Readers Recommend."
Sometimes I get a request from a library customer or a friend that is so inspiring, it sticks with me for days. Our friend Doug, who is finishing up a master's in education sometime in the next decade or so, is working up a model English class for middle schoolers who have been studying ecology. He figured he'd read them The Lorax as a discussion starter, but wondered if I had any other suggestions.
Now, The Lorax is pretty much on the nose for this purpose, but it's long, and sing-songy, and might already be familiar to middle schoolers as an environmental cautionary tale. So I rubbed my hands together and thought.
Exclusive private school full of duplicitous bitches carrying designer bags!
Hot guys - gorgeous girls!
Shopping!
And you know, that's really all I need to do to booktalk this book to teen girls. Teen girls? Sure. Also tween girls, grownup girls, and a select few guys I know. We kind of love all those novels with fancy clothes and scheming.
Craft books. So tempting, so cool! In my experience, no other type of book causes people to delude themselves quite so thoroughly.
The cute little R2-D2 hat? Oh My God I am SO going to learn to crochet so that I can make that hat! The AT-AT herb planter? Hey, that could happen - we have almost all those supplies laying around the house somewhere. And half the rest of this stuff is all cutting and glueing felt! Easy! Ok there's a little sewing if you want the Jar Jar Binks Voodoo Doll to look like Jar Jar Binks and not like Jabba the Hutt. And there's some embroidery. Paper mache. Hmm.
On the other hand - sticking pins into Jar Jar Binks? GENIUS.
You know what's great about comics? Trick question. Almost everything is great about comics. The bang zap pow action, the smartmouth dialogue and the smooth outfits, and the knowledge that when you pick one up, nobody in that thing is going to make you work too hard. Archie, Spidey, Scooby, and the Tiny Titans? They are just there to entertain you.
And here's some grown-up brain-development blither-blather, in case you're game for that kind of stuff (if not, scroll down a little, it'll pick right back up):
Couple weekends ago we fired up the fire pit for the first time this year. Fire good.
Fire is convivial and pretty and warm and often smells spicy and smoky and exciting. Plus it's good for roasting marshmallows. And since this is Jesus season, we had PEEPS to roast on our fire. If you've never tried it, may I recommend. I don't like Peeps, but a roasted Peep is like a bite-size crème brûlée. A vaguely poultry-shaped, distinctly trailer-park crème brûlée. Or in the case of the bunny-shaped ones, a vaguely tumor-shaped trailer park crème brûlée. SO GOOD.
My cousin is a groundskeeper for the Baltimore Orioles, and Cal Ripken, Jr. is his hero:
In fact, it wouldn't be too far off the mark to say that here in Baltimore, Cal Ripken, Jr. is everyone's hero. He's my hero just for being a worthwhile hero. So many sports stars aren't. But even if he's not your hero, it is at least impossible to say anything not nice about the guy. Gentlemanly demeanor. Sterling work ethic. Humility. Compassion. Intelligence. Humor. Blue eyes like lasers. And his sense of responsibility toward the kids who look up to him verges on the ecclesiastical. Every sports star should be setting an example like this.
Ah, Nancy. So accomplished, so self-possessed. Is it any wonder that Carson Drew's baby girl has successfully piloted just about every new media vehicle that she's come across? In another life that girl would be a test driver for Car & Driver magazine. Wow, that might actually be a ridiculous-but-cool premise for a TV series - Nancy Drew Behind the Wheel. Every week Nancy puts a new fancy car through its paces while solving a mystery and being chased by thugs! She'd get kidnapped all the time, of course, and she'd end up rating cars on the roominess and comfort of their trunks, and also the ease with which they can be unlocked from the inside.
In this new iPad app based on an old old book (originally published in 1931!), Nancy solves mysteries and rides horses, rescues a failing dude ranch, debunks a ghost and pals around with BFFs George and Bess. All that never gets old, I swear. I haven't read a Nancy Drew in decades, but the story in The Secret of Shadow Ranchkept me turning pages just like I was ten years old and reading my mom's copy.
The text has been somewhat updated, of course - Bess carries a cell phone, although it doesn't impact the plot, as she can never get a signal out the desert. There are some choose-your-own elements (tip: don't try to wrassle the rattler by yourself), and although Ned Nickerson is mentioned, apparently he's off at college rather than hanging around the girls being dopey.
And regardless of the very entertaining sound effects, music and animations; seek and find games and word puzzles that decorate, punctuate, and illuminate this text, it is in fact the text that gives The Secret of Shadow Ranch staying power. Every child I handed it to (boys as well as girls) quickly became immersed in the suspense, and kept returning to the story, choosing time with Nancy over time spent killing zombies, slinging birds at hogs, or driving muscle cars.
Some things I liked:
game allows for multiple players so that each reader can preserve his place
the music, which is blessedly not constant, is appropriate to the story in mood and instrumentation - harmonicas and fiddles and guitars
the art is all weathered wood, saddle leather, and dusty rocks, all the surfaces we love about the West (although the pictures of people come straight out of a box)
when the gang takes turns singing campfire songs, George's rendition of "Home on the Range" is truly and comically awful
I'd like to see a progress bar or page numbers (although given the choose-your-own-adventure sections I can see that page numbers might be difficult) so that players can assess how far they have to go to reach the end of a chapter - in this age of rationed "screen time" that information is important for children, both in order to prioritize their activities and to negotiate with a parent. "Can I have until the end of this chapter? I'm 80% through."
This is an excellent book/game hybrid, a rarity for middle graders, and an exceptional incentive to read. Even kids who at first hurry through the text to find the special items that let them play games get caught up in the narrative once Nancy and her friends go hunting luminescent scorpions, or when the ghost horse shows up.
Bonus: hapless, boy-crazy Bess gets into trouble every time she separates from the other girls: at my count, she is menaced by a rattlesnake, tarantulas, and a cougar, gets thrown from her horse, freaked out by a necrotic-looking doll, and falls down a hole.
Ok Jeff Szpirglas is one of my people, I can tell. Is it the pinstripe suit (below)? No. Ironic deployment of business wear is, at best, a heavily qualified predictor. Is it because, in a set of factoids about acceptable public behavior, he advises young people about proper comportment at a rock show ("Stand up, punch the air with your fist")? Not that either, although I will take this as evidence that he is one FUN classroom teacher.