I know it's a losing battle, keeping the place in some kind of tidy shape, and it's certainly not all the fault of my kids. The books, lord the books. But sometimes I am just in a GET IT ALL OUT OF HERE mood, and such is the mood that descended tonight.
I haven't had the time to read hardly anything lately, so as we picked up books and shelved them or put them in the Back to the Library bag, I got Milo (11) and Ezra (nearly 10) to talk about the books they've read.
Ezra: Battle Bunny is the result of a ten year old who just watched a whole lot of apocalypse movies making his mark on a cute little Birthday Bunny tale. It's terrifically funny - there's a picture on Battle Bunny's wall that shows a bunny mama leaning over a bunny baby and the ten-year-old added the words "Drink your poison."
NB: The overstimulated ten-year-olds actually responsible for Battle Bunny are Jon Scieszka and Mac Barnett, with illustrations by Matthew Myers...
You might think, if you know me from reading Pink Me, that I am a children's or teen librarian. I'm not - at my system we are all generalists. So while I love fixing kids up with great books, the fact is I also enjoy helping grownups. I spend most of my time drumming up copies of just the right David Baldacci, or helping readers find Amish romance novels and car repair manuals.
I am sorry that Teddy Steinkellner was dumped in a trashcan in middle school. Truly I am. Nobody deserves to be humiliated like that, and I hope the boys who did it look back on that episode and feel gut-wrenching, ball-twisting shame. I hope they grow up and have children and experience the fear that some little pack of fourteen-year-old pricks is going to do something like that to one of their kids.
And I have to praise a book about middle school that gives us an episode of upside-down in a garbage can. The clarity of the prose, the observational exactness as the garbage juice trickles into the boy's hair - it is necessary to hear this. If it happened, and especially if it is likely to happen again, we need to know what it is like. It's a little like climbing Everest - if a person has been there, they owe it to the rest of us to tell us what it's like.
Unbored is a pretty great book - it has about a million unexpected and funky things for a kid to do: DIY Fiction! Farting Games! Make a Cigar Box Guitar! and it sits on our shelf until somebody pulls it out and has a little fun with it and then puts it back where it'll sit for another 6 months. That book makes a great gift (although if there's a second edition, I'd recommend the illustrations to be a little less hipster/retro. If it were me, I'd get Stephen Gilpin to do 'em. And I might spring for color.).
Anyway, tonight Bob found this page of questions from the 1922 Stanford Achievement Test, and just for fun started reading them out loud. I am always pretty amazed at the random stuff my kids know, and tonight I just had to ask - how do you know that?
So here's a sample of the questions from page 202 of Unbored, and how my kids knew the answers. VERRRY interesting, and a huge validation of leisure reading.
I am a lucky woman. By almost any metric, that's me, Lady Lucky. I can walk under ladders.
One of the ways in which I am lucky is that there are about five authors out there whose work is just exactly what I want to read. I can go to those authors and always always be surprised and moved. Gibson. Liz Jensen. Nick Harkaway. Charlie Higson. Ian Fleming (but that's more of a sick obsession). And by "always always" I mean - no duds. No books that make me go "ehhh." Neal Stephenson for example. Love everything he's written either side of the Baroque Trilogy, but those three books made my eyes roll back into my head, and so he doesn't make this list.
What I'm getting at - obviously - is that Adam Rex does. I don't know what is similar in our backgrounds or genetics or whatever, but his imagination travels paths that seem enticing and familiar to me - as if they are paths that I glimpsed once from a passing car and wished I had the time to detour into. His humor makes me laugh out loud on trains and in bars.
Which is why I can't review his latest book, Unlucky Charms, the second in The Cold Cereal Saga. This author speaks so clearly to me that I can't tell how he sounds to other people. I can't be objective while I'm giggling out my nose. Luckily, I have a couple of clear-eyed readers in my house who can be relied upon to give you the what when I can't. Here's Milo:
Now, I admit I read the ARC of Unlucky Charms as soon as I snagged it at ALA Midwinter, and I admit I was going to pass it to Milo as soon as I got home, and I further admit than when this hardcover came in the mail - pretty much before I got home, thank you someone at Harper! - Milo grabbed at it as if he were a magnet and it was made of paperclips, but let me tell you, Milo is not a man who will allow preconceptions to influence his appreciation of a book.
So when he tells you it is funny and brave and awesome - you better believe it.
Available Feb 5.
From Unlucky Charms by Adam Rex - Marcos Horchata reporting
PS: Good lord I have written yet ANOTHER review of something involving Adam Rex in which I forgot to mention the art! How do I keep doing that? Adam Rex is supernaturally talented as an artist. His illustrations are the kind that kids pore over, looking for clues, soaking up the visual realization of scenes they have already mentally assembled from the author's words.
They exhibit charm, draftsmanship, and a particular genius for realistic expression, facilitated I believe by his habit of sculpting little heads and using them as models. I like to think he mounts those heads on tiny plaques and hangs them on the wall when he's finished - a miniature hall of horrors. Maybe he talks to them, they're like a Greek chorus when he's stuck on a drawing. "Make him fatter," grunts Frankenstein. "With bigger eyebrows!" yells Grandpa Ned. "What is that sweater about?" snipes Barnett.
This art, by the way, is not something I am worried I'm biased about. I know art, and I'll borrow a technical term from art criticism here and call it GOOD. It's GOOD ART.
Buy this book, buy all his previous books. Support him so that he can keep feeding my habit, and I swear you will thank me for it.
Crash your car miles from nowhere on Nevada's Route 375, aka Extraterrestrial Highway, after a series of strange events have led to airplane crashes and highway closures, and what do you expect? Recover from life-threatening injuries only to be handed a non-disclosure agreement and be escorted home by two agents in black suits... oh yeah, this can't be good.
What happened to debate partners Reese and David in the month following inexplicable bird attacks that shut down the nation's air traffic? How have they recuperated so quickly from their crash? And what's with the strange vertigo that Reese feels whenever she touches David, or her mom, or even total strangers? Then there's the free-spirited pink-haired girl to whom Reese is irresistibly attracted. Well, ok that part is completely understandable ;)
Malinda Lo sets up an intriguing situation for her appealing, believable characters, and does a particularly nice job communicating Reese's discomfort as the unusual things she experiences and observes after she attempts to resume her normal life in San Francisco grate against everything she knows. The book loses some steam in the last third, as other characters drop away and we are back to just Reese and David, but by then it is too late for the reader - how's it going to end?
Suspenseful, girl-powered, contemporary science fiction full of realistically diverse characters making realistic contemporary use of technology. Plus hot kissing! Hard to resist.
Adapted from a review originally published in VOYA.
Come for the freaky pictures, stay for the entertaining text. Boy, if I could give aspiring nonfiction writers one piece of advice, it would be - try to make a book that I can recommend to kids using that sentence. Although I guess it doesn't work for like, presidential biographies. Freaky pictures of presidents are rarely appropriate for kids.
Pink Me can't resist a funny man. It's true - you can show me your muscular prose, your scenes of wooing and swooning, but when a writer rips out something that makes me laugh out loud, well then, you can cancel my appointments for the next few days.
That is how, even though I have always foresworn the Blog Tour thing, I am a stop on Ellis Weiner's Blog Tour. Ellis Weiner is funny. His first book for children, The Templeton Twins Have an Idea: Book One, has made the rounds in my house (I read it, both boys have, it tops one of the stacks on our coffee table in the current banner photo, and our copy currently resides on my husband's bedside shelf alongside multiple back issues of The Economist (I assume for bedtime readalouds to the kids but after all I don't know what happens around here when I have second shift at the library)), and made each of us giggle. Why haven't I reviewed it? See about a dozen previous posts subtitled OH WOE I AM OVERCOMMITTED and GAH! LIFE!
Also, Ellis Weiner is from Baltimore, and my friend Eerily Similar Paula and I have been nagging the crap out of him to come home and visit our libraries and schools. So when I had the chance to solicit a guest post, I asked him to reminisce about growing up here.
Here's something I would not have expected, certainly not on a night when I have a deadline looming on another project - I opened the mail after work and found a copy of this fat book, the first print product of Tavi Gevinson, aka The Style Rookie, and I opened it up and read the first couple of pages... and then I read the whole thing straight through for like five hours.
Tavi - don't you know who Tavi is? Tavi is this wonder-child. Only 16 years old now, she started blogging about style and fashion when she was like eleven and quickly became a fashion world darling. She wore her hair in a faded blue-gray bob, sometimes with a giant bow. She was, by all accounts, enthusiastic and questioning, eager to learn, a total fashion fan, but always with a point of view. I never read The Style Rookie, though. Really, I spend so much time keeping up with children's lit, all I have time for is Go Fug Yourself and sometimes Lainey.
It's not all that often somebody tries to write a sequel to a classic like this. It's a really big risk - tough to avoid looking like you're just totally crassly trying to cash in on the love and affection for the original book... or else you just look like you're writing fanfic. I'm sure there are any number of "Arwen and Aragorn's Honeymoon" manuscripts languishing in the depths of your laptop's hard drive. And rightly so. Do not print that thing out. Ever.
I lead a pretty prosaic life. The biggest, hairiest, most mysterious creature in my life (no cracks about library customers, please, esteemed co-workers!) is our big orange cat, Babe. Named for Babe the Blue Ox, not Babe Didrickson Zaharias or Babe the Gallant Pig. But as mystifying as Babe's behavior sometimes is, he is depressingly accessible. He's no cryptid, in other words.
And sometimes you just need a little mystery. Ergo, Bigfoot...
So Ashley Spires put out this absolutely cute picture book a couple months ago, Larf, that is all about being alone - and that's ok - and reaching out to someone - which is also ok - but being nervous about it - understandable, and also ok - but then meeting someone nice anyway. Which is way ok.
Love Larf. Love Ashley Spires! Ashley Spires, in case you didn't realize, which I didn't, is the person responsible for that farting dreamer of a housecat, Binky (Binky the Space Cat). Every one of those books is a charmer, as is Larf. Larf is, contrary to what I think are most people's expectations about Sasquatches, rather a neat person. He folds his laundry and washes his dishes after he uses them. He wears a neat red scarf. He lives alone but he's not lonely. Not super lonely anyway.
The mountain range of books on our coffee table is a constantly shifting pile of bait for my boys. I bring books home from the library every day that I work - sometimes they place requests, but more often I just snag books that I think they'll like or that I am interested in looking at for this blog. The "leave it out casually and they will pick it up" strategy has been praised by many parents, and even endorsed by Judy Blume, and I can vouch for it as well.
Not so say there haven't been some hiccups, as when I found ten-year-old Milo reading Railsea by China Miéville, which I had pretty much brought home for myself. He is also a big David Macinnis Gill fan now, thanks to this practice.
Don't call me lazy. No, man, really you can't. I have been reading nonstop - just, I have other obligations, and the books I am reading are not for Pink Me. (Except for Necromancing the Stoneby Lish McBride, oh andThe Drowned Cities by Paolo Bacigalupi, and Sons of the 613 by Mike Rubens - I've read those recently, I just don't have time to review them! Aagh! They're all great? Can I just say that for now? I promise there will be reviews later.)
Also, they all have great covers:
So, in the interest of actually performing some sort of informational service, which is all I've ever tried to do (insert pious expression and posture here), I brought out the Flip camera and asked my boys about the books on my coffee table. My boys are, after all, the target audience. And they read, oh Jesus they read like crazy!
Here's the big pile of books and an introduction to my reviewers:
Grace is feeling kind of out of place at her new high school in San Francisco. Newly arrived from a small town, she is hoping to find a friend.
Tough Gretchen has no need or desire for friends.
And snooty rich girl Greer doesn't have friends so much as she has acolytes, minions, and social rivals.
What do these three have in common? Besides first names that start with G? Well, they were all adopted, for one thing... and since this is a teen novel, you might as well guess: they're long-lost triplets. Not just any triplets, either. Descendants of a mythological monster slayer, they have a duty and abilities and there's a prophecy and all of a sudden Grace's GPA is in danger and Greer's Stella McCartney top is going to get mussed.
Part Percy Jackson, part Beverly Hills 90210 - with an acknowledged debt to Buffy the Vampire Slayer (Grace has moved to San Francisco from a small town called Orangevale, where she attended a two-story school with stucco-covered walls), this is good fun, marred somewhat by writing that hammers home every expressive nuance ("'What are you doing here?' she demands, clearly unhappy to see me.")
Boy characters are amusingly decorative - entering the action with portentious fanfare, all eyelashes and biceps, only to disappear for long stretches with nary a ripple, reappearing - or not - several chapters later. Although they may have some role in later books, in Sweet Venom they appear to be nothing more than gratuitous romantic interest. A not-too-serious paranormal action novel along the lines of the Maggie Quinn, Girl vs. Evil books.
Adapted from a review originally published in VOYA.
Ah, spring! My neighborhood is foaming over with dogwood and azalea, sketched pink scribbles of redbud branches and nodding lilac. Driving the kids to school is like a trip through some wretched YA fairy forest. Except it's also roadkill season, so the smashed rats and opossums on the side of the road give it a little gory, edgy aspect. Again, much like a lot of recent YA. Sigh.
I am totally, happily mired in reading for the YALSA committee I'm on, Popular Paperbacks for Young Adults (go nominate your favorite! do it now! I'll wait!), and I can't in all conscience post reviews of books we're considering for the list - but I can take a break from teenage immigrants and rock stars from time to time in order to cleanse my palate with a new book.
Do you love Marcia Williams? I love Marcia Williams. Marcia Williams is a British illustrator and author. She writes large-format, intensively-illustrated adaptations of classical literature for kids.
Let me tell you how great this is: lots of little kids get into tales of adventure, and then their parents think to themselves, "Oh, I'll bet he would love Robin Hood!" Or King Arthur, or the story of Troy, etc. And then they ask the librarian - "I want him to read King Arthur." Whereupon the librarian is like, "Errr... you know that adultery and patricide play a big part in that story, right? Is he ready for The Sword in the Stone?"
FIFTY ARTISTS FIFTY! It's like a Ziegfeld chorus line up in this fine large-format comic anthology, except hairier. And less able to walk and sing at the same time. Probably really bad at doing anything in unison.
From "Hush Little Baby" by Mo Oh. I love her line and her delicate colors.
Fifty of your favorite comics artists have taken on 50 old-fashioned nursery rhymes, resulting in an anthology that is funny, strange, sweet, and surprising. Some of the artists, like Nick Bruel (Bad Kitty) and Marc Rosenthal (Phooey!), are familiar names in children’s publishing; others, like the talented Mo Oh (Lily Renee, Escape Artist, which is not a good example of her sweet and funny style) and Jen Wang (Koko Be Good), are relative newcomers.
The Rowan Tree Inn has sat placidly under its thatched roof at the center of a picturesque forest village for centuries. "Has sat." That hits me wrong. I don't think there's anything incorrect about it, but... I know I don't like it. "Has satten" sounds better, but "satten" is not even a word. All right, I'm going to leave it. This book's not worth fussing over.
When fourteen-year-old Maya moves into the Inn with her parents and older brother, she experiences that same kind of unease. Disturbing visions, eviscerated foxes, and sinister townspeople seem to conspire with scary nighttime noises to keep her thoroughly freaked out. Is she psychic? Is she imagining things?
Art and history intertwine in the story of Claribel and Etta Cone, two sisters from Baltimore whose intellectual openness and love of art–not to mention tidy personal fortunes–brought them into contact with many pioneering minds of the early 20th century. More than mere art patrons, the sisters forged decades-long friendships with Gertrude Stein and her brother Leo, Pablo Picasso, and especially Henri Matisse.
The collection of art that they amassed, which includes many masterpieces of Postimpressionism as well as works from Asia and Africa (now at the Baltimore Museum of Art), liberally illustrates the gracefully designed pages of this book. So too do the author’s colorful Matisse-inspired illustrations, most of which are based on archival photographs. The book is a pleasure not only to behold but to hold, too - prestige paper and meticulous attention to color honor the author, her subjects, and the art.
An art educator in Baltimore, Susan Fillion has obviously spent untold hours with the Cone Collection and with the voluminous correspondence and other papers of the sisters. She frequently describes a scene or situation from Claribel’s or Etta’s perspective, an effective and engaging device. In the hands of a writer less intimate with the sisters, this might feel false or presumptive, but Fillion keeps it simple and convincing. A beautiful and accessible gateway to a study of Postimpressionism, and a moving portrait of two extraordinary women.
Adapted from a review that originally appeared in School Library Journal.
Today's Nonfiction Monday Round-up is at Emu's Debuts.
Louise at thirteen is friendless and flat-chested. Bad luck and worse decisions have torn apart the cozy canyon life she shared with her parents, B-movie director Charlie Bat and starlet-turned-homemaker Brandy-Lynn, and now she lives in a courtyard condo down below the smog line. Instead of her tiny, hippie elementary school, she's attending a big public junior high where everything seems like a competition. And then, after one too many drunken arguments with Brandy-Lynn, her dad leaves.
Pink Smog: Becoming Weetzie Bat is the prequel toFrancesca Lia Block's popular Weetzie Bat stories - this is Weetzie before she becomes fully Weetzified: not yet blonde, only partially sparkly, showing barely a hint of the wistful siren to come. With some of the glitter swept away, the emphasis is on Louise's feelings and encounters, which have always been well-written, but can be overshadowed by the feathered, flowing, Mod Podge fabric of Weetzie's later life. Heartbroken, teased, neglected, and possibly hexed, Louise begins to learn about risks that are worth taking and people who are worth cherishing. She is a peaceful child who, when faced with cruelty and loss, develops into a young woman who is pliant but not wimpy, strong but not aggressive.
A fresh gem for Weetzie's fans, Pink Smog stands comfortably alone as well. It would serve as a Gateway to Francesca Lia Block (which is an arch a lot of us are happy to have passed through - Jezebel once called Weetzie Bat ""The Book for Girls Who Ended Up Taking a Gay Dude to Prom" - I myself took my best friend's much-older brother), and although marketed to grades 9 and up, this book could be wise comfort to a reader as young as 5th grade whose family has undergone sudden change.
A version of this review appeared in VOYA a few months ago.
Rules are for sissies. Yes, yes they are. Especially, I would say, in Young Adult fiction. All this hoo-ha and malarkey about people debating What is Young Adult lately - with so many grownups reading adventure fiction like The Hunger Games, why is one novel with a teen protagonist (let's just sayGoing Bovine) marketed to teens and why is another (call it Huge) marketed to adults - and as far as I'm concerned the fastest, funniest, most wrenching, most challenging stuff is YA and all the rest is non-age-specific genre fiction.
I have in the recent past poked (gentle) (I hope) fun at Jon Klassen's illustration style, saying that in the future, people will be able to pull a book illustrated by him off the shelf and say, "Oh yeah... 2011! Remember that, with the slightly spattery browny-gray inks and deadpan expressions? I Want My Hat Back! I loved that!"
Totally. I have worn that rich but drab palette for the past five years. I've wanted a skirt with his blocky animal figures on it ever since Cats' Night Out. His cover for The Incorrigible Children of Ashton Place almost made me want to read that book.
But now, reading Extra Yarn, we learn about his color, too. It's good color.
It's a Friday afternoon and my son, 8-year-old Zhou, is helping me review Zero the Hero. Joan Holub wrote this book, and Tom Lichtenheld did the drawings. Lichtenheld has been a Pink Me favorite ever since Shark vs. Train for his clear, happy colors, lovely layering, and strong, funky line. And Joan Holub's Goddess Girls books are getting a lot of play with my middle grade girl readers. She sent a stack of goddess bookmarks along with the ARC of this picture book, and they were snapped up in a jiffy.
Your Neighborhood Librarian: So, youngster. What do you like about this book?
Sometimes it is hard for me to respond to a book as a reviewer. Some books hook me just the same way a book would have hooked me when I was ten years old, and I am in, along for the ride, imagining myself sleeping in Anne Boleyn's bed at the Met, or confronting an evil horseman in a snowy lane in Wales.
I think that's why I do this.
And do you know how kids recommend books to each other? Have you heard them try? It's no use trying to teach them to sketch the main character and then set up the situation - they're going to either tell the entire plot in minute detail or they're going to reproduce a run of dialogue, bafflingly out of context and unintelligible due to their uncontrollable excitement.
Possibly they're going to try to relate the mood of the book to an experience they've had - my friend Rabbit, who is thirteen, does this all the time, and I love it. I can never follow his parallels: "You know how like you could be in the desert, but it's cold, except it doesn't look like it could be cold? This book is exactly like that," but I could listen to him all day.
Gr 3-6–Fans of Calvin and Hobbes will gravitate to this graphic-novel chapter book featuring an inventive kid and his talking dog.
Mal has typical social trouble at school, hiding his intelligence and struggling to make his feelings known to a cute girl while trying to avoid the class blowhard. His single mom doesn’t seem to be very supportive, sending him to bed without supper, threatening to ground him, and spanking him in the first three chapters, but these travails set him up as an underdog who will prevail in the end.
The Akkadians of Central Iraq, hungry for new lands to conquer, have set sail for the great cities of Sind, in what is now southern Pakistan. Prince Meluha and his teacher Chandrayaan are out hunting when the invaders launch their assault upon Meluha’s city, and so it becomes the handsome (and quite often shirtless - hell, everyone's shirtless in this thing!) prince’s responsibility to travel to the other Indus Valley cities and rally their rulers to stand together against the hostile armies of Akkadia.
There is a secret joy that librarians are allowed at holiday time. Although we are ardent in encouraging people to borrow, not buy, most of us... well, we're kind of into books. We can't help wanting to own them. And though librarians vary in the extent to which they successfully keep themselves out of bookstores - some don't even try - all bets are off when it comes to buying gifts for our family and friends.
I stopped in at WYPR's Maryland Morning to talk to host Tom Hall about this subject. I brought a great huge stack of books and asked Tom to pick out the ones he wanted to know more about. If you miss the broadcast, you can listen to our conversation on the Maryland Morning website by the end of the day. The station has also posted a list of the books I brought to the station, or click "Read more" to see an expanded version (book trailers! whee!).
It's Election Day here in Maryland - the midterm general election, not the primary, so there's not much hoopla. Oh, Maryland. Stay sweet. Anyway, the children are off school, and it's Tuesday, my day off, and it's a beautiful fall day, so I thought I'd catch up on what my boys have been reading.
They've both reached the point that they are reading for fun independently. And kind of a lot. It's great, but I have to say, a little scary. I bring stuff home from the library I think they'll like, and they read that stack in a weekend, and then start eyeing the review copies I get in the mail.
This is going to sound like a back-door brag, but I am legitimately worried that they're a little too erudite for their own good. Zhou, who is in grade 3, complained at a class book discussion a couple weeks ago that he thought the metaphor in the title of Jerry Spinelli's memoir Knots in My Yo-Yo String was insufficiently reiterated in the text. In almost those words. Right? That's an oy vey moment, for sure.
Kids who like the Little Lit titles (It Was a Dark and Silly Night..., Folklore and Fairy Tale Funnies) will cackle over this collection of familiar tales given an irreverent twist. Rapunzel thinks the prince's request to 'let down her hair' is 'really random'. Gepetto injures his hand trying to spank his robot son after the Blue Fairy grants the wish that makes Pinocchio a real boy. Red Riding Hood's Grandma runs a martial arts academy. Cinderella rejects the lovely blue ballgown provided by her fairy godmother - she was thinking more "Anne Hathaway at the Oscars".
At the SLJ Leadership Summit in Alexandria a few weeks ago, I saw a demo of the Pat the Bunny app again. Have you seen the trailer for that app? You watch. I'll wait.
That bunny is a total evangelist, right? That app actually does things that the book can't do, and that is a book that does things that most books can't do. Pat the Bunny is the app that turns arms-crossed, grumbly librarians into wide-eyed murmury librarians. Bobo Explores Light(reviewed earlier) does that too.
No, I mean it. You want to know what an iPad does, and why? Just hit the play button on that trailer for the new children's science app Bobo Explores Light up there.
The scientist in Simon wished there was time to study the animals he was seeing and catalogue all the quirks of nature and environment that had driven their strange evolution. A herd of spotted marsupials, almost impossible to see, moved in shifting camouflage as they chased the shadows of clouds. A small, horselike animal with gigantic ears that swiveled like saucers was the first to hear him coming, and when it took off across the plains its drumming hooves alerted dozens of lumbering, slow-moving tortoises who vanished into their shells, leaving a sudden rock bed. Mice-like rodents leaped dozens of feet into a stand of cactus, fleeing from birds that veered away from the unforgiving spikes at the last second. Simon watched in fascination as these dramas unfolded around him.
We went to Costa Rica last summer, and now I think I understand where Nadia Aguiar's prose comes from. The ruby-red birds and flowers, the emerald landscapes, the fruit that is sweet but complex. The dark jungle, the bright hillsides. Roseate spoonbills and strawberry frogs. Honest-to-god toucans. It's all astonishing, but it's real.
The miraculous island of Tamarind, where siblings Simon, Maya and Penny washed up after a shipwreck in The Lost Island of Tamarind, reads like that. Deep in the Bermuda Triangle, its startling beauty is murky or brilliant, misted with cloud or sunlit, lush, decadent, fragile... and likely to twist into violence at any moment.
I love my friends, and when I think of the friends I have, I realize what a fortunate person I am.
First: A few years ago, I got to chatting with a brilliant, funny author at the annual KidLitCon - Laurel Snyder. It turned out that in addition to sharing certain opinions, vices, and an inappropriate sense of humor, we share weird geographic coincidences: she grew up a couple blocks from where I live now, and in high school she moved to the neighborhood where I grew up. Her friends were the younger siblings of my friends. When she lived in freakin' Iowa, her downstairs neighbor was a woman I've been friends with since birth. We might actually be the same person.
So I can't review her book.
Next: Also a few years ago, we got a new librarian at work. Yes I know that's a weird construction, but that's how we say it. We got a new librarian. She had the same name as me! Then we found out that we both have a kid the same age, a kid who loved to read and went to a Baltimore City charter school; and we also discovered that we both read a lot of teen fiction, and have almost the same taste! In books, accessories, food, you name it. We might actually be the same person. On Pink Me, I call her Eerily Similar Paula, and she's helped me out before.
Today, she and her Eerily Similar Kid, Thespian Girl, have contributed a mother-daughter review of Laurel's new book, Bigger than a Bread Box.
ESP: How did you get your hands on an advance copy of Bigger Than a Bread Box, Thespian Girl? Okay, so me and Daddy were walking around at the ALA conference, and the lady at Random House said “Oh honey, I have a few books that you might like!” and I picked one up and started reading the back of it. Meanwhile, Daddy poked me in the ribcage and said “You have to get this book. Look at the dedication. It’s for Baltimore.” I said okay and I took it even though I didn’t really like the cover. I thought it might be a murder mystery or something about wizards.
ESP: What made you read it anyway? Well, it was on my shelf and you told me I needed to read the next day and not watch any “stupid TV shows”. I read the first page and I was like “huh.” Then I read the next page, and the next page and the next page….”
ESP: I remember you read a part out loud to me. You said “this author really is from Baltimore. I can tell because of the detail when she describes Rebecca’s row house.”
There weren’t doors or walls between the downstairs rooms of our row house. The flooring just changed colors every ten feet or so. You knew you were out of the kitchen/dining room when the fake brick linoleum stopped and the pale blue carpet started. Then you were out of the living room and into the front room when the blue carpet changed to brown. That was like a lot of row houses were in Baltimore, like tunnels.
ESP: Kind of like our house? Yes, quite!
ESP: So that made you keep reading? What’s it really about? Yes. And the book got better and better as it went on. I read it mostly in one day while you were at work. It’s about a twelve year-old girl named Rebecca. She lives in Baltimore with her mom and dad and her toddler brother Lew. Her mom and dad have been arguing a lot, and then her mom decides it’s time to “take a break.” She drives Rebecca and Lew all the way to Atlanta, Georgia to stay with their grandmother. She doesn’t bother to tell Rebecca that they’ll be staying for a long time and that she’ll have to go to school there too. During the first night her and her mom get into an argument. Rebecca misses her dad. She gets mad and runs upstairs to the attic, where she discovers a collection of bread boxes. She only knows that’s what they are because they say “bread” on them. While she’s poking around up there, she says she wishes she had a book. She starts opening the bread boxes. They’re all empty except for the last one, which, coincidentally, has an Agatha Christie book in it. She brings the box down to her room.
ESP: Does she know right away that it’s magic? No. She figures it out that night when she’s feeling homesick. She’s crying about all the things she misses about Baltimore. She says “I wish there were gulls” into her pillow, and then she hears a skreeeee noise coming from the breadbox. There are two seagulls inside!
ESP: So what does she wish for next? Is it a unicorn? No, and I don’t want to ruin the story. She can only get things that are real. And that fit inside the bread box.
ESP: So it’s a book about a magic bread box? Is that how you would describe it? Not just about a magic bread box. It’s about school drama, family, and how unfair it is when adults make decisions for you that you don’t like.
ESP: How did the book make you feel when you were reading it? I was excited and on edge! I couldn’t guess what was going to happen at all. She (Laurel Snyder) did a great job with the entire story. There wasn’t too much of anything or too little of anything. It was a perfect book. The ending is a good set up for a sequel, hint-hint!
Paula is a good friend and I want to thank her and Thespian Girl thoroughly for this thoughtful take on a terrific book. My only regret is that when either of them starts writing books herself, I won't be able to review them. Maybe I'll get Laurel to do it!
Here's some more help, from 12-year-old kid named Lily, who made this beautiful book trailer for Bigger than a Bread Box:
I swear, tween girls should be running this country. They are so smart!
"You're listening to Maryland Morning with Sheilah Kast on 88.1 WYPR, your NPR news station, good morning! I'm your host, Tom Hall... oh wait a minute, I can't be your host, Tom Hall - I'm only eight!"
That's right. I took my kids with me to the radio station yesterday when I taped a segment on you crazy, stunted adults who read Young Adult fiction. What's wrong with me? Didn't I know they would act like crazed monkeys and pull out all the wires and make fart noises into the microphones? (They were very well behaved, although there were fart noises, I admit.)
Milo making fart noises while producer Stephanie Hughes sets up.
More to the point, what's wrong with you? Seriously, you're a full-on adult with a car payment and a job, and when you pick up a book, you're all looking for violence and mayhem, and allegory, and characters you can fall in love with, and dialogue peppered with witty insults and wordplay - what's that about? Why can't you just read your age-appropriate Literature or Fluff like you're supposed to? (This is also me being FACETIOUS.)
As I tried to organize my thoughts about what it is that adults see in YA literature - and it's a huge trend, believe me, you're not the only one - I remembered a recent conversation with a young woman looking for something to read. I asked what she'd enjoyed lately, and she said she'd really liked The Road (winner of the Pulitzer Prize for Literature) and the The Southern Vampire Mysteries by Charlaine Harris (winner of the Anthony Award for Best Paperback Original and inspiration for Snoop Dogg's Oh, Sookie).
Now, these two items have more in common than you might initially think, but still, it would be a biiig Venn diagram that managed to include them both. Trying to imagine the sweet spot between Cormac McCarthy and Sookie Stackhouse, my gaze naturally drifted to the Young Adult section.
My Dad Drives a Roller Coaster Car by Crab Hill Press
Zoomy! Dad drives a roller coaster car, Aunt Frizzy drives a spinning teacup, Grandpa drives a log flume - but young Hank is not allowed to drive any of these things! Retro illustrations by Daniel Guidera are vivid and poppy, and even the action is kind of retro - each of the exciting, silly vehicles will take off if you touch them and pull back, just like the classic spring-loaded cars, trucks, jets, nuns, and frogs that we've been annoying the cats with for decades.
My co-reviewer, three-year-old Baby A, delighted in making the vehicles go, but didn't pay much attention to the text. I myself was very amused by the multitude of sound effects and surprises that reward exploratory screen tapping. Tappity tap! Also, Mom and Aunt Frizzy have pink hair - my kind of family!
I made it to page 12 of Dead End in Norvelt before I was giggling so loudly that my family made me stop and read aloud to them. You may not get that far.
Jack Gantos writes two kinds of books: good books and great books. (Also Love Curse of the Rumbaughs, which might be either, but which is so spectacularly weird that it's hard to tell.) Dead End in Norvelt is one of the great ones, for sure. It concerns an eleven-year-old boy named Jack Gantos who lives in a New Deal planned community in Western PA in 1962. He is a kid who likes "history or real-life adventure books, mostly," a mostly-good boy with frequent nosebleeds, an active imagination, and a knack for getting blamed for stuff that is not entirely his fault.
The Three Pandas by Valerie Mih and See Here Studios
Little Mei Mei goes walking in the forest and smells something yummy. Why, it's the three bowls of bamboo porridge that Mama, Papa, and Baby Panda left on their table while they took a walk! Mmm, that baby panda's porridge is 只是权 (just right)!
Layered photo collage is the medium for the gorgeous but friendly illustrations. Not too flashy, with homey interiors featuring Chinese furnishings and decor, and lovely misty exteriors depicting a sunny clearing in the bamboo forest. Mei Mei is adorable, with a giant toothy smile, and the pandas are just the giant balls of fluffy fur that pandas always are. I like the unobtrusive music, all tinkly piano and clarinet notes, though I confess I might have wished for more Chinese instrumentation.
AND IT'S BILINGUAL. Why does not every single dang iPad app give the user multiple language options? (Note: IT'S EASY.) The Chinese narration is clear and expressive. My picture book app review buddy, four-year-old Baby A, got a big kick out of listening to the app in Chinese and telling me the story, as if she were translating.
Ok I have like, maybe, THREE things to say about this:
Last night at 2AM I was three-quarters of the way through Ashes. I had suffered every holy-crap-what-next moment right alongside sixteen-year-old Alex, and I had to put the thing down because my head hurt from staring into the dinky screen of my Sony Reader. I went to bed. Where, thanks to the good works of Ilsa J. Bick, my dreams were lousy with suicidal deer and ominous empty roads and carrion birds. The worst dream I had last night, however - by far - was that I was still reading Ashes, and that it had turned... lame.
If you are looking for your "next Hunger Games," I got your "next Hunger Games" right here, BABY. Very tough. Weapons, hot guys, camping. A scrappy kid. Subtle social criticism.
The novel begins as an intimate first-person narrative from Alex's point of view - she is worn down by sorrow and pain, and craves isolation. When two other campers appear on the scene, she is annoyed, but the reader is not surprised. When all of a sudden there is blood and pain, the reader is surprised. And then when she figures out...! and then meets up with...! and almost...! Like that. Every corner turned in this book was a surprise and sometimes a shock, but we never lose touch with Alex - she never turns into a superhero. The aches that sent her into the wilderness never go away, she just gets new ones.
Ilsa Bick writes her weapons and outdoor skills and scenic Michigan wilderness with authority. She has a real feel for timing, building tension to the point of crisis, then sometimes breaking off and picking up days later amid the consequences of the crisis. Her characters are convincing when they're being stubborn and whiny, convincing when they're in psychic or physical pain, convincing even when they're not convinced of their own selves at all.
In fact, I have made a folk song about this book. This doesn't happen very often, given that I hate poetry and I don't know how to play even the guitar... so you know this is going to be good. SING IT:
Here we are again, It's the end of the world again, I lost my gun I found my gun I lost my gun again.
Dontcha hate it when You're just looking for a little privacy, Just trying to scatter the ashes of your parents on the shores of Lake Superior and maybe come to terms with the inoperable brain tumor that's turned your life to shit, I mean you're just out camping. And whaddaya know...?
Here we are again, It's the end of the world again, I lost my gun I found my gun I lost my gun again.
It's a good thing I Can stand a little physical pain Cause I get beat up kind of a lot before I fall in love and find a truck and take care of a kid and then lose everything again and smack the crap out of a bunch of teenage cannibals, And while the cannibals scare me The Christians scare me worse.
(Which should come as no surprise because...)
Here we are again, It's the end of the world again, I lost my gun I found my gun I lost my gun again. I lost my gun I found my gun I lost my gun I found my gun I lost - somebody give me a Winchester! I found my gun again.
What do you think? Downright anthemic, I'd say. I can't decide whether I sing it like Woody Guthrie or Kurt Cobain or Gang of Four, though.
Pressia's world is a scary world. Eight years after the bombs went off, food and water are in short supply. Many of the inhabitants are mutated cannibalistic beasts. Infection is prevalent, due to the fact that most people have had objects or creatures blasted into their bodies during the nuclear cataclysm. And if you make it to age sixteen, as Pressia has just done, the militia is going to come in a truck and capture you.
Partridge, who lives inside the spick-and-span Dome that was constructed in advance of such a catastrophe, has his own worries. His brother has committed suicide, his mother is missing, presumed dead, having not made it into the Dome on the day of the bombs; and his autocratic father, one of the architects of the Dome plan, seems to be coming a bit unglued. Partridge comes to believe that his mother is Out There, and resolves to leave the Dome in order to find her in the ruined outside world.
And here we go.
This is Pure by Julianna Baggott, who writes under a number of names. Readers of kidlit will know her as N.E. Bode, author of The Anybodies, a fun, imaginative trilogy for middle grade readers. Grownups who like funny books about relationships (excuse me if I borrow from Netflix's increasingly lowbrow genre labels) may know Ms. Baggott's Bridget Asher books, like The Pretend Wife and The Provence Cure for the Brokenhearted
Pure is Ms. Baggott's first sci-fi novel. It is long. It is weird. Fox 2000 has already bought the film rights. This review will contain a ton of spoilers, because a) I write my reviews for grownups selecting books for children, so I don't shy away from spoilers generally and b) there is no way for me to critique this book without them. Because I have issues with this book.
You know what would make a great picture book app for the iPad? Bang on the Drum All Day. Yes, the Todd Rundgren song. It speaks of the cathartic power of music, how it can transport us, and testifies to the bliss of creative activity. Plus it is super-hooky and unapologetically stupid.
I don't want to work, I just want to bang on the drum all day. I don't want to play, I just want to bang on the drum all day.
Ever since I was a tiny boy, I don't want no candy, I don't need no toy. I took a stick and an old coffee can, I bang on that drum til I got blisters on my hand!
Right? Any kid can play the drum. You could make an iPad app with drum pads of various tones, let a kid tap the screen to make rhythms and hear the difference between a tom and a snare and a bass drum - heck, they could even learn how to play a backbeat or a paradiddle. It would be so fun!
Sigh. Nobody ever asks me.
But the ever-amusing Rundgren is kind of just the guy to do it, so here's hoping he gets an iPad and befriends a couple of youthful fans/software developers. Til then, I will have to content myself with what's actually out there in picture book iPad app-land. To wit:
What does it take to break a cycle? To pluck a kid from a life hemmed in by poverty and lack of opportunity and show him wider horizons? What does it take to convince a kid that cultivating respect and demonstrating responsibility are worth the trouble?
In some communities it's chess. Or ballroom dancing. Debate. Not infrequently, it's song - a low-overhead activity, not a lot of equipment needed. But in the Fletcher Street neighborhood of Philadelphia, deep in a bad, bad neighborhood, it's horses. Dedicated adults tend an improbable set of stables and barns, teach the neighborhood kids how to care for the horses and how to ride, provide a safe place and a sense of usefulness for children who might otherwise find themselves in trouble or in danger or both.
Into this backdrop Greg Neri drops Cole, short for Coltrane, a teenager from Detroit who has been quietly falling into truancy and other bad habits. Not a fighter, nor a criminal, he has merely been losing touch with school and with his single mother. Cole's overwhelmed mama makes the difficult decision to send the boy to live with his father, a father he's never met.
You see where this is headed, don't you? Cole's dad is one of Philadelphia's cowboys, a gruff, uncompromising man who lives for the horses and is unprepared for family. A crisis looms as the city attempts to close down the stables. But in the end, Cole and his dad come to terms over caring for the beasts, prove themselves to each other, and even develop a certain amount of affection. Cole learns about hard work and self-respect.
We have been down this trail so many times before that I am a bit torn: does the fact that this time we are in the city and on a horse make up for the fact that almost any reader will have seen its resolution from a mile away? Am I more interested in the stables and the adults who frequent them than I am in Cole's rather muted sorrow and rebelliousness? Does the sheer unlikeliness of a crowd of cowboys in urban Philadelphia distract from the family drama?
Maybe. But. In the end, I will recommend Ghetto Cowboy, partly because we are low low low on realistic YA fiction for boys nowadays, partly because the horse thing is so damn unlikely, but I think mostly because I think boys will recognize gentle Cole, a boy who could have dropped out of school and faded carelessly into idleness, who only needed one extraordinary thing to wake him to his potential.
Ghetto Cowboy is Greg Neri's follow-up to last year's grim but great graphic novel Yummy: The Last Days of a Southside Shorty. They share a little sense of detachment and a sharply observant main character. Both books are also inspired by real people, in this case the black urban cowboys of Philadelphia and New York City.
I received an ARC of this book from NetGalley and read it on my Sony Reader.
(Click each thumbnail to see this photo assemble.)
Adult Swim at our pool is fifteen minutes, and I swear, that can be the longest fifteen minutes ever in the history of time. Longer than the fifteen minutes it took you to figure out the new remote. Longer than the fifteen minutes it took Jane Austen to describe who rode in which carriage on that crucial twenty-minute journey to the ha-ha. Way longer than the fifteen minutes you had to stand in line at the DMV, because at least then you could fantasize different options for blowing the building up.
NO you can't have more money for the snack bar.
NO you can't go to the baby pool.
NO you can't play Angry Birds on my phone with your wet hands.
Who likes saying no all the time? Not me. Far better to give the kid a seat in the shade, a cold water bottle, and a just-for-fun book to read. I asked all the kids who had assembled for my younger son's birthday party to grab a book and cram onto the couch for this month's Pink Me banner. Here, amid a long list of entertaining summertime reads, are the books that caught their eye:
The first book in the Guys Read Library, Guys Read: Funny Business, is one of my favorite shortcuts when I'm at work in the children's section. When I see Mom hauling her cranky middle grade boy over to the shelves, I will grab a copy of Funny Business, crack it open to the Christopher Paul Curtis story or to Jack Gantos's The Bloody Souvenir, and start to read. When I get to the part about the blood poisoning, that's when our young man usually stops farting around and looks at me.
I hand him the book, and say, "When you come back - if you come back - come find me and I'll give you something else disgusting to read." Mom looks at me and can't decide whether she's repulsed or grateful.
Inch-long "bullet ant" in the cloud forest, Costa Rica. Photo by Your Neighborhood Librarian.
Ants. Just the word, for me, cues up Sharkey's Day. You know, that dry, surreal, scritchy-scratchy Laurie Anderson song: "Sharkey says: All of life comes from some strange lagoon. It rises up, it bucks up to its full height from a boggy swamp on a foggy night. It creeps into your house. It's life!"
Ants are that kind of strange, that kind of miraculous.
Amos Latteier, a Toronto-based performing and installation artist, seems to see them this way too. Who would not? The facts about ants will blow your mind. 22,000 species! Biomass comparable to humans!
Oh, the pleasures of an old-fashioned Something Is Not Right in the Town of Stepford/Sandford/Antonio Bay/Milburn/Celebration novel. It's a premise that allows an author to explore themes of conformity and artifice while creating a claustrophobic, paranoid atmosphere in which the protagonist becomes increasingly convinced that the familiar, friendly fixtures of his or her youth might be harboring Terrible Secrets.
Not a bad metaphor for a teen novel, wouldn't you say? And perfect reading for a hot summer night.
Exclusive private school full of duplicitous bitches carrying designer bags!
Hot guys - gorgeous girls!
Shopping!
And you know, that's really all I need to do to booktalk this book to teen girls. Teen girls? Sure. Also tween girls, grownup girls, and a select few guys I know. We kind of love all those novels with fancy clothes and scheming.
So it has come to this, you say: post-apocalyptic fiction for middle grade readers. Really, you say? We're not going to wait until they're at least twelve or thirteen before giving them main characters who have to make their way by scavenging the wreckage of our world's bad decisions?
I'm closing my eyes and taking a deep breath and letting all the new books I've seen in the past few days come flying past my head. Here (in addition to the titles I've already mentioned) are the books I am most looking forward to receiving in my library that I saw at BEA:
There will be a new Vordak, and it will be incomprehensible to all but small boys and some teachers. Since it will be called Vordak the Incomprehensible: Rule the School, we got a preview signed for a friend of ours who is a high school principal.
Wandering the convention floor and gladhanding the entire kidlit industry at Book Expo is fun and all that, but the best part for me is when my kids arrive, and I get to collect their reactions to the exciting books (and swag!) that I have rounded up for potential review.
First of all, I want to make it clear that my forthcoming glowing review of the new short story collection in the Guys Read Library, Guys Read: Thriller is influenced not at all by the willingness of Jarrett Krosoczka to dress entirely in Michael Jackson red pleather - and even wear his wife's spangled, got-to-be-itchy socks - just to make a brief visual pun on the book's name.